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86 Things You Should Know About Different Types Of Eyes Drawing | How to Draw Eyes: Step by Step Realistic Eye Drawing Tutorial

  • Second, thinking in terms of “how to draw eyes” – as if the eyes are somehow privileged and separate from the rest of the face, head and body – breaks up the figure into artificial categories. In truth, there’s as much structure to be observed on the model’s cheek or forehead as in the eyes, but we tend to be unaware of that (there aren’t many “How to Draw Foreheads” tutorials out there). Instead, we focus on “eyes”, “nose” and “mouth” too much, and forget about everything else. Articles like this make me queasy because they seem to reinforce this way of thinking. - Source: Internet
  • It’s not easy to learn how to draw eyes. Some eyes are simple, but they still require knowledge to draw. To perfect any type of eye, you need to practice. - Source: Internet
  • Eyes are the hallmark of anime drawing style. They are large and expressive, with beautiful pupils and highlights, or vice versa, deliberately simplified, depending on the emotion of the character. We invite you to practice drawing anime eyes, so we have put together over 100 pictures and drawings. Download for free on your device and hone your skills wherever you want! - Source: Internet
  • We should try to handle hair of any kind in a similar way while drawing, including the eyelashes. Don’t draw individual lines for each lash. Instead, try to observe how the lashes group together. Sometimes, if your model is further away, they can be seen as a single ribbon-like form along the edge of the upper lid. In other cases, such as when your model is wearing mascara, the lashes tend to clump together, forming a number of spikey points, like curved daggers, jutting out from the eyelid. - Source: Internet
  • There are many different types of eye art. When drawing parts of the face, realistic eyes are difficult to draw, while cartoon eyes are easier. But there are tutorials of any kind that even a beginner artist can follow. - Source: Internet
  • It’s perfectly acceptable to draw with many light lines at this stage. We’ll progressively place heavier pressure on the pencil as the drawing develops, which will lead to darker marks and values. Be patient and focus on capturing the shape of the eye. - Source: Internet
  • If you are writing a comic, the character’s looks and eyes can affect how the story is read. A story with characters having simple eyes like dots or with less detail might not be taken as seriously as a story with characters having realistic eyes. But these are also not applied to every story. - Source: Internet
  • The eyebrows are simply smaller hairs that extend out from the skin above the eye. Just like eyes, eyebrows come in many different shapes and sizes. It may be helpful to lightly draw the shape of the eyebrow before drawing any of the actual hairs. After defining the shape, we can make deliberate strokes with a sharpened 4B pencil, pulling out each stroke. - Source: Internet
  • – before you begin drawing irises or coloring anything in, you have to draw a faint outline. Look at real eyes – look at real eyes, not pictures. This will let you see the depth and curves of natural eyes. - Source: Internet
  • Large areas where the light shines on the eyes give them depth. Remember to add at least two circles that you do not touch. One should connect the iris and pupil while the other has more freedom. - Source: Internet
  • Now that we’ve had a look at the basics of drawing a realistic eye with graphite alone, let’s take a look at another example. In this second example, we’ll again draw an eye from a frontal view. The following examples come from the course, “Portrait Drawing the Smart Way”. Check out the course for instructional videos and ebooks that break down the drawings in more depth. - Source: Internet
  • In this lesson, we’ll take a look at how to draw an eye. We’ll cover drawing eyes from both a frontal view as well as a side view (or profile) with graphite pencils and also white charcoal. Three step by step examples are included, so be sure to scroll down to see them all. - Source: Internet
  • We’ll begin the drawing by lightly and loosely drawing the contour lines of the upper portion and lower portion of the shape of the eye, leaving open the location of the tear duct. We’ll start with the “H” pencil with very little pressure. Within this shape, we’ll draw the shape of the iris, pupil, and a shape for the strong highlight that overlaps the pupil slightly. - Source: Internet
  • If you’re here to practice, feel free to use your sketchbook. If you’re creating a legitimate drawing I recommend working with better quality paper. I use Strathmore Bristol Smooth paper for most of my drawings. It’s very popular among pencil artists. And affordable! - Source: Internet
  • We’ll start this drawing in the same way that we began the last. We’ll first evaluate the contour lines or outlines of the eye. We’ll look closely and study the angles and curvature of each of the lines that should be included. - Source: Internet
  • – the top eyelid is easy to remember, but there is a bottom eyelid too. Remember to add it to give your eyes dimension. Not clumping eyelashes – natural eyelashes group together and clump. Add this effect to make the eyes look more realistic. - Source: Internet
  • Because human eyes are so difficult to visualize I’ve organized this massive gallery of eye drawings. You’ll find dozens of incredible examples here from black & white to full-color and a bit inbetween. Have a look over these incredible pieces and see what you think! - Source: Internet
  • Remember that the eyeball is a sphere. The lids follow the curvature of that sphere as they arc across the eye from one corner to the other, meaning the orientation of these surfaces relative to the light source is constantly changing. In order for our drawing to appear 3-dimensional, it’s necessary to describe the “turning” of these surfaces with gradual changes in value running in different directions. - Source: Internet
  • For as much information as I’ve included in this post, it’s still not comprehensive. There’s a huge variety of human faces out there, and everyone’s eyes are a little bit different. Add to that different perspectives and lighting conditions, and there is simply no single approach to drawing eyes that is correct or complete. - Source: Internet
  • The only parts of the eyes we see are the pupil, iris, and whites. The rest of the visible “eye” is the skin surrounding it – the eyelids. Not only is it essential to draw eyes, but it’s important to make the eyes seem real. - Source: Internet
  • Don’t worry too much about symmetry. Keep flipping the drawing horizontally until both ways look right. Human faces are not perfectly symmetrical. - Source: Internet
  • Discovering the underlying anatomy of the eyeball can help you bring life and feeling into your drawings, from the corners of the eye to the pupils. Drawing digitally with layers makes finding the most compelling eyes for your character easier, as well. Whether your aim is more cartoon-like anime eyes or photorealism, explore these various ways to step up your eye-drawing game. - Source: Internet
  • Eyes are one of the most important features on a character, but can be hard to draw. Don’t worry I will teach you how to draw eyes for beginners. Learn the “eyemask” technique to help you create believable expressions! - Source: Internet
  • To solve this problem, draw from life when possible. If drawing from life isn’t an option, always ask yourself this question when choosing a photo reference: “Where is the primary light source in this picture?”. If you can’t tell, keep looking for a better photo, or take one yourself! - Source: Internet
  • People’s facial expressions reveal much about their intentions and feelings while communicating. Even if they are good at making poker face, their eyes will reveal their thoughts. We can use this form of body language to make the characters we draw relatable and understood. - Source: Internet
  • The main difference between anime girl eyes and anime boy eyes is the eyelashes. Male anime characters don’t have eyelashes. The eyes from Anime Outline’s guide can be applied to most male anime characters. - Source: Internet
  • Start by getting a handle on the underlying shape behind the visible eye. “You’re not drawing what you see, you’re drawing behind the object,” says illustrator and drawing instructor Lucas Elliott. “You’re not just drawing the eye itself, but you’re drawing the actual ocular orb and then everything on top of it: the eyelid, the eyelashes, the eyebrows.” - Source: Internet
  • Eyes have a broad variety of shapes. Avoid symmetry in order to make them less static and boring. Experiment with different placements of the peak of the eyelid, eye shape, eyebrows, eyelashes, and pupils. See eyes and eyebrows as a set to make them work together not separately. Men’s eyebrows are usually closer to the eye. - Source: Internet
  • Even in a cartoon, eyes should exhibit emotions. Things such as symmetry within each eye can distract from this connection. No eye is symmetrical; each end tends to turn up. - Source: Internet
  • But first, I should say that you don’t actually have to do this. I got a bit ahead of myself and developed some of the wrinkles under the lower lid already, but you could opt to simplify your drawing by not getting quite so granular. Contrary to popular belief, more “details” isn’t always better in realism. Instead, it can result in a look that’s just too choppy and busy. On the other hand, details can be fun to draw, so do what feels right. - Source: Internet
  • The way you draw the eyebrows shows the character’s emotions easily. You can slant and point the eyebrows to the centre of the face to show an angry expression. You can lift the eyebrows and make the eyes bigger to show a surprised or scared expression. Below are examples of different emotions conveyed through how you draw the eyes. - Source: Internet
  • This is good advice for drawing any subject, not just eyes, because it’s easy to get bogged down in details when drawing something complicated. Eyelashes, wrinkles and subtle highlights are all fun to draw, but are nothing but distractions early on (ones I still succumb to from time to time). As students who’ve taken online courses at Vitruvian Studio already know, it’s always advisable to work from “general” to “specific” while drawing. In other words, establish the biggest, broadest shapes first, then subdivide them to arrive at the smaller, more specific characteristics. The reference I’ll be using for this post. - Source: Internet
  • Especially when drawing eyes from a ¾ view it is important to imagine the spherical space they move on. Keep the thickness of the eyelids in mind. Stylised approaches might leave out some anatomical details, but the shape should still act like the realistic eye in order to achieve a 3-dimensional result. - Source: Internet
  • Eyes are unique in that they make up a small portion of the human face yet convey a large majority of human emotion. For this reason, eyes can make or break the mood of a portrait drawing. “They seem to be a small part, but really they say everything about what somebody is thinking or doing,” says caricaturist Greg Bigoni. “Are they tired? Are they excited? Are they having a good or bad day? Are they skeptical? Are they having the time of their life?” - Source: Internet
  • Work adjacent areas. Don’t hop all around your drawing at this stage. It’s easier to judge value relationships when they’re right next to each other. - Source: Internet
  • Colouring the eyes generally depends on the lighting situation and what style you want to go with. Consider these four basic steps. Making the white of the eye darker makes the highlights pop even more. - Source: Internet
  • The process is fairly straight-forward. After drawing out the basic contours, we’ll gradually develop the tonal range of the eye. To create the representational effect that we’re after, we’ll gradually build up layered applications of graphite to develop the value and the texture. - Source: Internet
  • – eyes are not symmetrical. Neither the individual eye nor the eyes together are symmetrical. Ignoring the shape – each eye has a unique shape. Get a picture the first few times you draw eyes to replicate and practice different forms. - Source: Internet
  • Realistic eyes are hard to draw. Nina Blangstrup has a detailed tutorial on drawing realistic eyes that anyone can follow. Take your time on realistic eyes the first time you draw them. - Source: Internet
  • The pupil will eventually be the area of darkest tone within the drawing. We’ll slowly build up the dark values here. By slowly layering darker applications, we have greater control over the values produced and we can potentially avoid “graphite shine”. Graphite shine happens when heavy applications of graphite are applied and flatten the tooth or texture of the paper, resulting in a very shiny area of graphite. - Source: Internet
  • Because the eyeball is a sphere, the sclera usually has a gradation and a range of values. It is essential to notice and depict this range of values in order to create the illusion that the eyeball is, indeed, spherical and dimensional. Take a look at the many subtle value shifts present in the scleras of these eyes: - Source: Internet
  • – look at real eyes, not pictures. This will let you see the depth and curves of natural eyes. Draw eyelashes – you don’t need to draw the eyelashes one-by-one but take it slow and don’t forget them. - Source: Internet
  • After the top eyelid, you add the bottom eyelid. The bottom eyelid connects to the top on both sides of realistic eyes, but not in anime eyes. The bottom eyelid should connect only to the outer side of the eyelid. - Source: Internet
  • Since we’re working on toned paper, we have the benefit of adding highlights with a white drawing medium. In this case, a white charcoal pencil is used since it can be blended with a blending stump. The strongest highlight on the eye is addressed first, applying heavy pressure on the pencil. Then with lighter pressure, we can begin addressing the areas that are lighter in value, including the “white” of the eye. - Source: Internet
  • Next, add an iris and a pupil. The iris shouldn’t be a full circle like it is with real eyes. Instead, it should be more egg-shaped, with the eyelids covering the bottom. - Source: Internet
  • If your character’s head is turned sideways (the lateral view), the eyes will look like the > symbol. But the lower lid is a little behind than the upper lid due to the shape of the head. The more your character turns away, the less the eye will be seen. - Source: Internet
  • It is often assumed that the eyes are positioned at the top of the head. Instead, the eyes are found in the middle of the head. If we draw a line from the top of the head (excluding the hair) to the bottom of the chin, we can expect to find the eyes in the middle. This assumes that you’re looking directly at your subject. If the head is tilted, or viewed from a different angle, then the positioning will also be different. - Source: Internet
  • In this article, I will explain the basic shapes of a realistic eye, their placement in the head for different angles, and their stylization and expressions. You can follow these steps in any digital software that allows drawing like Photoshop or Clip Studio Paint with a drawing tablet. But you can also follow this tutorial by hand with paper, eraser and pencil. - Source: Internet
  • If you choose to describe those wrinkles as I did, just remember that small features on the skin are forms, just like the larger ones, and every form has a light side and a dark side. Students often go astray when drawing wrinkles by focusing too much on the grooves in the skin, drawing them as lines on the page. But it’s important to remember that most texture we might try to describe – including on the skin – is just an arrangement of peaks and valleys. - Source: Internet
  • Eyebrows are a very powerful tool to show emotions. Sometimes it can help to exaggerate the eyebrows even if it might stray away from a realistic approach. Bringing eyebrows down to the eyes makes a strong expression. The effect grows when the expression is preceded or succeeded by a contradictory movement to show the full range of squash and stretch. - Source: Internet
  • Now we can begin drawing the contour lines. Be sure to draw shapes for the pupil, iris, tear duct and the strong highlight. Since the eye is viewed from an angle, the shapes of the pupil and iris will not be circles. Instead, these shapes are ellipses, which is a distortion of a circle. - Source: Internet
  • – each eye has a unique shape. Get a picture the first few times you draw eyes to replicate and practice different forms. Unrealistic eyelid depth – the top eyelid is easy to remember, but there is a bottom eyelid too. Remember to add it to give your eyes dimension. - Source: Internet
  • When we work on a toned surface, we can push the value range in the drawing by starting close to a middle value. This means that we can use a white drawing medium to add the highlights, instead of relying on the “white” of the paper. This approach allows us to push the values from the middle of the value scale instead of working from one extreme, like white. - Source: Internet
  • To some extent, this can be done visually – just compare your drawing with your reference and try to match the value relationships you see. But it’s also necessary to consider the direction of the light. By this I mean thinking in a 3-dimensional way, considering the relative orientation of different planes to the light source. Assuming a consistent local value and distance to the light source, surfaces that face the light more directly should be lighter than those the face the light less directly. Being aware of this can help convey value changes that you may not notice visually – the difference in value between one part of the form and another may be very subtle, but important nonetheless. - Source: Internet
  • Nevertheless, drawing convincing eyes is something a lot of students struggle with, often unnecessarily. We tend to approach the eyes in our drawings with lots of anxiety because they’re psychologically important to human beings. It’s also where we look first in a portrait. Mess up the eyes, and you’re suddenly stuck with a “bad drawing”, while the same degree of error in describing the neck or chin may go unnoticed by most viewers. It’s not fair, but it’s the way it is. - Source: Internet
  • – eyelids leaves creases. Remember to add these creases by studying how actual wrinkles look. Using symmetry – eyes are not symmetrical. Neither the individual eye nor the eyes together are symmetrical. - Source: Internet
  • Eyes are a good tool to measure the proportions of the face. In the front view, the eyes are one eye apart from each other and one eye apart from the edge. Due to bangs or sideburns the distance might appear smaller. - Source: Internet
  • Anime girl eyes are simple to draw, but there are dozens of ways to draw them. It starts with a simple outline, followed by the iris. From there, it’s just the details. Love2DrawManga has a simple tutorial that you can bookmark. - Source: Internet
  • After drawing the contour lines with a light, H pencil, we can begin adding some of the darker values. Initial applications can be made with an H or HB pencil. Start in the locations that are the darkest, making sure to preserve the areas of strongest highlight. - Source: Internet
  • After the blending stump has been applied, you may find that the contrast between the values has been muted slightly. If this is the case, you can revisit the iris with the HB pencil and restore some of the contrast lost. Doing so will just create additional depth to the drawing. - Source: Internet
  • When viewing the eye from the front, the iris and pupil appear circular… or at least close. You may occasionally observe on some individuals that these shapes aren’t perfectly round, but it’s wise to draw them as circles anyway. Otherwise, it may look like a weird drawing error. - Source: Internet
  • If you want to learn how to draw eyes, you need to know about art’s technical and emotional side. Each set of eyes has a unique shape, color, and transparency. It takes practice and knowledge to master recreating them, as drawing eyes is an art form. - Source: Internet
  • Take into consideration what you really need. Simple eyes might work better for animation or a style that is more based on movement. Illustration and close-ups might require a more detailed approach. - Source: Internet
  • You may be wondering why I don’t suggest drawing the eyeball at this stage. Some tutorials advocate this, and it makes a certain amount of sense. After all, the eyeball fills much of the eye socket we just finished establishing, and is responsible for much of what we perceive as the shape of the eye, so its influence is important. - Source: Internet
  • If you always draw eyes, it may mean something depending on the type of eyes you draw. Bright eyes may represent a desire for adventure and curiosity. Sleepy or closed eyes may indicate a need for inner peace. Wide, yet staring, eyes may mean that you feel uneasy. - Source: Internet
  • There are dozens of animation types, so each tutorial will be different. The classic Looney Tunes style may be the easiest. Draw Cartoons has a good tutorial on this style of eye art. - Source: Internet
  • Even experienced drafters often take a moment to mentally plan before drawing the line of the upper eyelid in an expert sweep. This is because even a very slight deviation of this line can completely transform the expressions of the face. This trick will help: divide the upper eyelid into 3 sections. (By the way: this trick of dividing difficult lines into several sections doesn’t only apply to eyelids - any line can be pre-sketched in this way.) The lower eyelid can also be divided. - Source: Internet
  • That’s the one I use most often. I could create a whole drawing with it, but I think it’s smarter to use softer pencils mentioned above for shading. So we’ll use a mechanical pencil for details. - Source: Internet
  • Don’t hop all around your drawing at this stage. It’s easier to judge value relationships when they’re right next to each other. Tune small intervals first. It’s easier to judge small intervals than larger ones. With the darkest dark established, look for the next darkest nearby value and develop that first. - Source: Internet
  • Imagining an eye mask can help to unify the features around the eyes so that they don’t just float on the face. The eye mask is also easier to imagine in different angles. Making the features work together helps to enhance the readability of the intended emotion. - Source: Internet
  • Just like with any of the other facial features, your eyes need to be proportional to the head. An easy way to ensure that your proportions are correct is to draw 5 light ovals that match the width of your eyes across the face from the end of one ear to the other. Most heads are approximately “5 eyes” wide. If you find that you can fit more ovals in this space, then your eyes may have been drawn too small. If you cannot fit 5 ovals across this width, then your eyes may have been drawn too large. - Source: Internet
  • Dog eyes are different from human eyes. You can’t see the whites, and the colors are dark enough to blend in with the pupil. A guide by Craftsy should get you through your first drawing of dog eyes. - Source: Internet
  • A cartoon crying eye is easy to draw because all you have to do is draw tears below the eyes. But a realistic crying eye requires more effort. Naim Drawing Academy has a beautiful tutorial that takes you through the steps of how to draw eyes that are crying. - Source: Internet
  • This is the stage where poor reference material can really cause you problems. A lot of studio photography uses multiple light sources with large diffusers to fill shadows and make blemishes and wrinkles harder to see. The effect can be flattering, but it’s also flattening. Without any shadows, there’s little to tell your brain what planes are oriented in what direction, so creating the illusion of 3-dimensional form in your drawing is nearly impossible without lots of invention. - Source: Internet
  • A popular rule of thumb is that the size of the iris is about ⅓ that of the whole eyeball. This is roughly true, but it’s also tricky to apply. We don’t see the full width of the eyeball because much of it is covered by the bones and eyelids, so determining ⅓ of that distance usually involves some guess work. So keep the thirds rule in mind, but also try to observe the proportion of iris to sclera visible on the eye from your point of view. If the iris is too big on your drawing, the space available for the sclera will be too small. - Source: Internet
    1. Eyes are their own unique shape - Eyes are NOT ovals and eyes are NOT football shapes. They have their own unique shape that you must recognize. (See tip #1) - Source: Internet
  • Closed eyes are easier to draw than opened ones. It’s important to learn how to draw eyes that are closed at some point. RapidFireArt has a good tutorial that can help you. - Source: Internet
  • You may have already completed (or partially completed) he first step toward this goal: drawing the shapes of the shadows. This helps us in the linear stage in getting positions and proportions right, but it’s also how we begin to indicate the different orientations of planes on the eye. If we do this right, we can create a rudimentary sense of form with just 2 values: one for the light side and one for the shadow. This binary statement is called a “poster”. - Source: Internet
  • The texture of the iris is smooth and this should be reflected in our drawing. Although the surface of the paper on which we’re working is already very smooth, the texture of the paper is still evident. This means we’ll need to alter the graphite applications to create a more natural illusion of texture. - Source: Internet
  • Even in a line drawing, a single line is often inadequate for describing the structure of each eyelid. This is because the eyelids have thickness and we can often see the top or bottom surface of the lids projecting outward from the surface of the eyeball. Including these planes in your drawing will help give your eyes dimension, making the eyeballs appear relatively recessed into the eye sockets – which they are. - Source: Internet
  • In any eye that you draw, there will be inconsistencies and unusual shapes. You may notice small spots of darker tones or wavy lines. We’ll need to include these details in order to create a drawing that is realistic. We’ll begin to develop these “imperfections” with the HB pencil over the lighter H applications already in place. - Source: Internet
  • As you develop your values, try to think about “sculpting” the form as you go. This is why we typically refer to this stage as “modeling” rather than “shading”. The goal here is to uses gradients and progressions of value to gently “turn” the surface of the form up toward the light (lighter) or down and away from it (darker). It can help to imagine while drawing that your pencil is a tiny clay tool, pushing and pulling the surface of a little virtual sculpture that sits behind the picture plane. Thinking this way can help you fine-tune your values, and free you from the tyranny of merely “copying” what you see – which usually doesn’t produce the best results. - Source: Internet
  • Let me clarify – it’s not that eyes aren’t at all almond-shaped. The issue is that assuming that eyes are almond-shaped often leads to generic-looking drawings. If you have watched Lesson 2 of my Mini-Course, you know how important the specificity of shapes is to creating a likeness of your subject. - Source: Internet
    1. Look at the eyes that you are trying to draw - I know - this tip seems pretty obvious. But many people try to draw what they think they see, rather than what they actually see. Look at the shapes, lines and values and do your best to copy that info on your paper. Don’t think about drawing eyes, think about drawing shapes, lines, and values. - Source: Internet
  • Stylised proportions are derived from realistic ones so the pointers can still be applied and deformed depending on the style. Even when the eyes are bigger, a structure that can be imagined in a 3D space should be established. This is the basis to make the eyes look 3-dimensional and imagine them from various angles. - Source: Internet
  • – there are many small shadows on and in the eyes. Forgetting one of them can leave the eyes unbalanced. Forgetting the creases – eyelids leaves creases. Remember to add these creases by studying how actual wrinkles look. - Source: Internet
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